Samson q1u vs shure 57
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The App runs using the tablet’s built-in mic.
#SAMSON Q1U VS SHURE 57 ANDROID#
(1) Lenovo tablet TAB 2 A10-70F (manufactured 2015) running Android 6.0. I have tried the app on two Android devices: Zoom H5 recorder (Mic only, mono output).Restart the device after enabling this option.Īny testers who can provide insight of their device compatibility, please add a comment below. This can be done by enabling the option “Prevent USB audio routing” in the Developer Options of your device’s settings app. *Note: If playback does not work when USB mic is connected, you must disable USB audio routing. Recording format will vary between devices The mic’s default configuration is used with a preferred 44.1kHz sample rate. USB audio output is not currently supported. This feature is still in the R&D phase, but should work on most supported phones when used with class compliant audio devices. WaveEditor for Android™ version 1.0.24 will now support USB audio input.
#SAMSON Q1U VS SHURE 57 DRIVER#
It also features new improvements to the USB driver itself, including device preferred sample rate, better buffer management, and support for mics that have built-in audio outputs. Re: Experiences with Samson Q7 mike.**UPDATE** WaveEditor version 1.93 now re-adds support for USB recording previously lost after Android Oreo. (I look back at old photos of Kevin Burke playing into a mic - he seemed to be pretty comfortable, though).Īlso, I agree with Jimmy B concerning violin pick-ups - the only ones that I’ve heard that sound remotely listenable have had lots of processing - and very little of the acoustic sound of the fiddle box.
#SAMSON Q1U VS SHURE 57 FULL#
Placement of the mic seems to vary from fiddler to fiddler, but the sound is full and consistent.įor a fiddler, these days, I’d stay away from mics on mic stands, if at all possible, as you’re saddled to a single playing position, which over time can become uncomfortable - not impossible, just uncomfortable. It does require phantom power - easily provided on a board or through an external box like the ART Tube MP pre-amp, which are quite inexpensive. Most of the fiddlers that I’ve played with in recent years use the Audio-Technica ATM350 or a model very much like it. Sorry for the misaligned rant…………I missed the part of this thread being about a Violin mic.
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Otherwise, mics are ALWAYS the ideal way to go with any acoustic instrument.
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I personally avoid pickups unless the application absolutely requires it, such as a musician who needs alot of mobility on stage. But, of course, I also understand budget constraints, as I am often prone to them. It’s your sound we’re talking about here. Often if you go with a cheap mic, you end up upgrading soon anyway, so you may as well spend a little extra (if you can, or course) and get a mic that will serve you well for the longer haul. I will admit to a small bit of snobbery as well, as microphone quality is an important topic to me. I also managed a pro-audio department of a big music store for three years, and Samson is definately a cheap brand, along the lines of Nady. I have a bit of pro-audio experience in recording and live sound, although not a great deal. Not recommended unless you are mostly playing in places where people are quietly listening, or you have someone really gifted with sound who can figure your system and place your mics just so. They pick up everything, so if you try to use them in a place with a lot of ambient sound (like a pub) the gain settings you’ll have to use can lead to truly horrible feedback problems. You can have these mic’s placed further away from the instrument which is nice but, they are horrible if you are going to be playing in a noisy environment. AKG 1000’s are relatively inexpensive ones that will work but I like the sound of the 535’s better. The sound loss is exponential for every inch you back away from the mic so they will work but you have to be almost frozen in place to get a good consistent sound.Ĭondenser mics are nice in some situations. The downside to them is you do have to be as close as possible to them to get the best sound. 57’s are good all purpose mics that should always sound at least pretty good.